The Scottish duo of Michael Sandison and Marcus Eoin known as Boards of Canada is one of the most influential production teams in electronic music history. The sounds they conjure from their synthesizers and samplers are nothing if not evocative: of half-remembered childhoods, warbly analog recording mediums, reality-bending psychedelic experiences, and so on.
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As I touched on before, there’s something really comforting about the idea of a cassette tape. It brings to life visions of a simpler, or at least, less chaotic time, in which music consumed us in a completely different way.
The MIDI version is richly informative. There are long passages where there’s almost no rhythmic correspondence between the notes as written (and as “performed” in the MIDI) and the way that humans perform them. People are playing the same notes in the same order, but have pretty much thrown Bach’s written rhythms out the window. But the MIDI isn’t a very satisfying listening experience.
These days, the concept of a mailing list may seem antiquated and, to an extent, it is. Everyone with an inbox gets bombarded with offers and unsolicited invites each and every day — most of which are promptly deleted without even a glance. Still, despite the high chance that most of your newsletters are going to be deleted, it is worthwhile to get everyone’s emails at your show for a couple of reasons:
There are plenty of online tutorials to guide you through the technical editing practices depending on the software you use, but it’s important to ensure each episode makes sense and flows well. Have someone with neutral ears listen before you publish if you can.