When you’ve got something to offer (a big ol’ crowd filled with fans, friends and family, or a new release under your belt), local venues are sure to take notice. By keeping the needs, expectations, and limitations of the venues and promoters you reach out to, you’ll have the best chance of getting booked.
It’s been a crazy journey, and the indie touring scene can be both amazing and awful. Stressing out about your next meal, tank of gas, or whether you’re gonna get kicked out of that Walmart parking lot is not always fun. But we’ve had some good times too, so here are a few ways to have more fun on tour (even if your livelihood doesn’t depend on it!).
We better go back to the source of the loop for some context — Lauren Hill’s “Ex-Factor” — and holy rabbit holes, did they make it their own! First, they took the sample and pitch-shifted it up a whole step from G♭ to A♭ (thought it sounded kind of chipmunk-esque), then they chopped it up and taped it back together out of order. But what really transforms the music of it is what they didn’t take. So we were right that the singers are singing in A♭ major note logic, but they didn’t sample any A♭ major chords — and how can you have a song in A♭ that doesn’t have any A♭ chords? Also, they didn’t sample any of the bass notes that made some of the singer’s triads into different tetrads.
+ Learn more on Soundfly: Get all the best practices and strategies for running a successful crowdfunding campaign, plus mentor support from former Kickstarter staff, in our course Crowdfunding for Musicians. Use code FLYPAPERSENTME for $100 off the next Mainstage session, starting September 6!